For
example, once you have a first draft, it’s a good idea to make a pass through
the manuscript to ensure that character and setting placement are in order. Another good pass would be to ensure that the
characters’ emotions are showing on the page and that they’re responding
physically to that emotion in a way that’s logical. The final pass is usually the polishing pass,
in which you remove all extraneous words and “ing” words and those pesky
adverbs (at least those that have hung out undeservedly for a while). Of course, depending on the project, you
could have many more passes. But I think
passes are great, and I think one “golden rule” should always be kept in mind
when making one. When making a pass, my
advice would be to focus only on that one aspect throughout its entirety. If you’re making a pass to ensure all your
world-building elements are in order, don’t get sidetracked by a paragraph that
could use some trimming/tightening. Save
that for the next pass, that way you don’t miss or overlook something
pertaining to world-building that needs to be changed in your world-building pass.
At
the moment I’m working on UNGIFTED, and I think I’m going to make another pass,
if not a couple more, through the manuscript.
I’ve done some work in getting deeper into my protag’s head and
portraying how he views the world, but I want to get closer, and I want to make
sure he’s using terminology that a twelve-year-old boy would use. I also want to make sure that the
world-building details I drop in sound like something he’d actually think about
in each part of the story. Like I said, I’ve
make some progress in these areas in general, but I think a couple more passes
couldn’t hurt…
2 comments:
For me, there's always a temptatition to rush through this phase...that's bitten me in the butt. I hope you're smarter than me. :)
Lol, I know that feeling, Anita!
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